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Showing posts with label <b>Steve Evans</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<h2 class='date-header'><span>Friday, November 30, 2007</span></h2>

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<p class=MsoNormal align=right style='margin-bottom:12.0pt;text-align:right'><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;font-family:Arial;color:black'>Photo by Ben Friedlander</span></i><span style='font-size:8.0pt;font-family:Arial;color:black'> <br> 
<img height="315" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/ErLgv_KE6wKeCS5ktBkRueYFIQ6WNJqEQHxi0sXdJgniQuSw0BM3eev44PXqmjPBGcCHaogMTH2NvEVcVDTeIpUchSr0E9fAlOyRcd-0Lw%3Ds0-d" width="420"><br>
<span style='font-size:8.0pt;font-family:Arial;color:black'>Steve Evans<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>This is the time of year when newspapers that still have book review sections &#8211; a dwindling fraternity &#8211; run their &#8220;notable books of the year&#8221; feature in hopes of gaining a spike in advertising from publishers who hope to supplement sales with a few Christmas gift buys. In short, there&#8217;s a list for the same reason that this is the time of year when you can count on a big new coffee table book on some theme related to The Beatles, another to railroads, a third to covered bridges, etc. Most of these projects, like <a href="http://tinyurl.com/3bnguz"><span style='color:black'>the one that will run in the <i style='mso-bidi-font-style:normal'>New York Times </i>on Sunday</span></a>, are little more than attempts to move perfectly exchangeable product &#8211; there may be some great writers on the list (Rae Armantrout, Lydia Davis, Roberto Bolaño), but they&#8217;re there mostly to legitimate the rest of the roster. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Much more interesting is the fifth annual <a href="http://www.thirdfactory.net/attentionspan.html"><span style='color:black'>Attention Span</span></a> survey conducted by Steve Evans. Evans asks roughly four dozen writers &#8211; mostly poets &#8211; to chart &#8220;their current interests in poetry and related fields&#8221; and then simply compiles the lists. One might be able to fault Evans for not having a perfect electoral college here &#8211; it sure is white &amp; about two-thirds male &#8211; but he manages to include writers associated with everything from The New American poetry (Bill Berkson, Pierre <span class=SpellE>Joris</span>) to flarf (Kasey Mohammad) to even new formalism (Annie Finch). He includes Canadians &amp; Aussies &amp; generally ends up with a more democratic look at what contemporary English-language poetry looks like than almost any other cross-section I know. <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>This year&#8217;s contributors listed a total of <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>486 </span><span style='font-size:10.0pt;font-family:Verdana;color:black'>books, chapbooks, songs, films, magazines, websites, exhibits, and other cultural phenomena in their lists (the number increases significantly if titles embedded in comments are counted).<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>To give you some sense of scale, the whole of the <a href="http://www.poets.org/viewall.php/varType/poets"><span style='color:black'>Academy of American Poets</span></a> website lists just 560 poets, stretching from Homer to Tony <span class=SpellE>Tost</span>. While <i style='mso-bidi-font-style:normal'>Attention Span </i>is capturing titles rather than individual poets, its focus is just one year of attention. Even there, it&#8217;s probably picking up only around 12 percent of the total number of titles published (even less, once you consider just how many of the works mentioned were published earlier), representing no more than five percent of all publishing English-language poets. So <i style='mso-bidi-font-style:normal'>Attention Span </i>suffers the curious problem of being both comprehensive and just the tip o&#8217; the iceberg (pre-global warming). <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The primary message here is diversity &#8211; less than four dozen readers nominated more than ten times that number of items, and exactly three books were listed on five separate lists, just over ten percent of this nominating committee. In a landscape that might be likened to </span><st1:State><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Kansas</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'>, where even the smallest hill gets christened </span><st1:place><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>Mount</span></st1:PlaceType><span  style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceName><span   class=SpellE><span style='font-size:10.0pt;font-family:Arial;color:black'>Oread</span></span></st1:PlaceName></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>, these three books can claim to be the dominant works of poetry for 2007. They are:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:6.0pt;margin-left:1.0in;text-indent:-.5in'><span style='font-size:10.0pt;font-family:Arial;color:black'>Jasper <span class=SpellE>Bernes</span>, <i style='mso-bidi-font-style:normal'><a href="http://www.spdbooks.org/Details.asp?BookID=9781934639023"><span class=SpellE><span style='color:black'>Starsdown</span></span></a>, </i>from <span class=SpellE>Ingirumimusnocteetcconsumimurigni</span>. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:6.0pt;margin-left:1.0in;text-indent:-.5in'><span style='font-size:10.0pt;font-family:Arial;color:black'>Juliana Spahr, <i style='mso-bidi-font-style:normal'><a href="http://www.spdbooks.org/Details.asp?BookID=1891190261"><span style='color:black'>The Transformation</span></a>, </i>from <span class=SpellE>Atelos</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:1.0in;text-indent:-.5in'><span style='font-size:10.0pt;font-family:Arial;color:black'>Hannah Weiner, <i style='mso-bidi-font-style:normal'><a href="http://www.spdbooks.org/Details.asp?BookID=1891190261"><span style='color:black'>Hannah Weiner&#8217;s Open House</span></a>, </i>from Kenning, edited by Patrick F. Durgin<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Unless you think this is entirely haphazard, consider that Juliana Spahr had the second highest total in 2005. Lisa Robertson has twice finished first &#8211; in 2006 and 2004. And Evans&#8217; list of nominators demonstrates that this isn&#8217;t an accident of him using a cloistered group of respondents. These lists pass the sniff test and, by being public with individual lists, Evans also manages to bypass most of the methodologically dodgy aspects that would drive something like Foetry into conniptions. If somebody is being very strategic in thinking out his or her answers this year &#8211; viz. Meredith Quartermain &#8211; it&#8217;s perfectly up front. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>There is a rather perfect symmetry in these three choices &#8211; one a first book by a grad student at Cal, one the <span class=SpellE>midcareer</span> masterpiece of a poet in her prime, a text that situates precisely at the intersection between memoir, essay and the prose poem, and the selected writings of someone whom the WOM-PO list would characterize as a Foremother. Perhaps the more amazing feat is the size of these three presses &#8211; <span class=SpellE>Atelos</span>, founded by Lyn Hejinian &amp; Travis Ortiz &amp; operating mostly out of Hejinian&#8217;s house in </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Berkeley</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>, is by far &#8220;the most institutional.&#8221; Try walking into your local Barnes &amp; Noble and asking which books they carry by <span class=SpellE>Ingirumimusnocteetcconsumimurigni</span> &#8211; if, that is, you can pronounce it. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Another way of looking at this list is to consider that FSG and Ecco/Harper &#8211; the two presses that hold down three of the four poetry slots in the <i style='mso-bidi-font-style:normal'>New York Times </i> list &#8211; are not nearly as influential as they might want to believe. FSG is mentioned seven times, which ties it for eighth place with <span class=SpellE>Atelos</span>, Factory School &amp; Couch House. Ecco/Harper doesn&#8217;t even make the list of the 71 presses mentioned more than once. In short, all the editorial, distribution and PR muscle of Ecco/Harper cannot match even a fraction of that of <span class=SpellE>Ingirumimusnocteetcconsumimurigni</span>. This makes perfect sense of course if you look at the New York trade presses and their poetry lists for what they are &#8211; a small press scene no different from any other save for the one minor detail of vast amounts of capital magnifying everything out of proportion. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Five presses were listed ten or more times and <span class=GramE>it&#8217;s</span> instructive to note who they were: New Directions, the </span><st1:place><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>University</span></st1:PlaceType><span  style='font-size:10.0pt;font-family:Arial;color:black'> of </span><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>California</span></st1:PlaceName></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>, </span><st1:place><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>Wesleyan</span></st1:PlaceName><span  style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>University</span></st1:PlaceType></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>, <span class=SpellE>Dusie</span> and Subpress. The first three, which were also listed in double digits last year, for all purposes are the elite poetry publishers in the </span><st1:country-region><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>United  States</span></st1:place></st1:country-region><span style='font-size:10.0pt;font-family:Arial;color:black'>, with decades of experience and major backlists that are kept in print. If prizes were allocated by value, rather than by advertising or ideology, New Directions, UC &amp; Wesleyan would pretty much dominate the poetry awards year after year.&#185; That they don&#8217;t is one good metric for the role capital plays in such hoo-hah. Subpress is a collective, and I believe that <span class=SpellE>Dusie</span> may be as well. That these smaller ventures can obliterate such badly managed competition as Knopf is perhaps not surprising. That they can, in a good year, hold their own alongside these three other well-run institutional houses is even more impressive. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Unlike the trade presses, which are driven by profit, and the independent small presses, many of whom want to change the world of poetry to better fit their own vision(s), university presses often see their own role as one of stewardship, so it is not a surprise to see UC and Wesleyan in the top five repeatedly. But not all university presses are equal and one has to drop down to a large tie for 19<sup>th</sup> place to find the likes of Chicago, Duke, Iowa, Yale or Stanford on the 2007 list, each mentioned three times. Pittsburgh and Louisiana are completely absent from the multiple mentions list. Again, quality of editorial vision has a huge impact here, and it&#8217;s not evenly distributed among college publishers.<o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>One very good way to use this list is for shopping at <a href="http://www.spdbooks.org/"><span style='color:black'>SPD</span></a> or <a href="http://bridgestreetbooks.com/"><span style='color:black'>Bridge Street Books</span></a> or <a href="http://www.woodlandpattern.org/bookstore/bookstore.shtml"><span style='color:black'>Woodland Pattern</span></a>. But another is to recognize what the patterns here are suggesting &#8211; the currently literary scene is very flat in the sense that no one literary tendency dictates what everyone is reading. That&#8217;s both a plus and a problem &#8211; the absence of a shared literary culture is an issue with potentially serious consequences. The other is that if you write the right book, you are just as well off with </span><st1:place><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>Factory</span></st1:PlaceName><span  style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>School</span></st1:PlaceType></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> or a <span class=SpellE>Dusie</span> chapbook as with any of the major trade presses. FSG may be able to get a few copies of any printed matter onto the shelves of Borders, but it can&#8217;t actually get those same items off those shelves and into the brains of people who actively read and think about poetry. And who write it themselves. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p>&nbsp;</o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:8.0pt;font-family:Arial;color:black'>&#185; In fact, Rae Armantrout&#8217;s <i style='mso-bidi-font-style:normal'>Next Life, </i>from Wesleyan is on the <i style='mso-bidi-font-style:normal'>New York Times&#8217; </i>notable list as well as being the lone book in the National Book Critics Circle &#8220;best recommended&#8221; list that is not from one of the New York trade presses.<o:p></o:p></span></p>
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